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Rock and Roll Hall of Fame inductee trio of Rush first hit the music scene in the early 1. As they prepared to launch their latest tour, longtime tour lighting designer Howard Ungerleider of Production Design International Toronto (www. After a collaborative process with the production team, Ungerleider turned to Solotech to provide him with the innovative lighting technology to best accentuate the R4.
Live tour which included VL4. Beam. Wash, VL4. 00. Spot, VL3. 50. 0 Wash FX and VL3. Spot luminaires from Philips Vari- Lite. With our concept in mind we then turned to Solotech to be our tour provider for lighting and video along with their sister- company 4. U2. C. Once the backbone was all in play, I started putting my lighting design in place which would be filled primarily by VL4. Spot and VL4. 00.
Beam. Wash luminaires.”Having worked with Rush for over 4. Ungerleider knew exactly the type of design that both the band and their passionate fans would want to see. So as he started to look at the automated luminaires to use in the design, he got an intriguing tip that would put in motion the solidification of his Vari- Lite rig.“I really like to use saturated colors in concert lighting and because of this my programmer Tim Grivas told me I needed to take a look at the new Vari- Lite Series 4. Ungerleider. When I got to see the VL4. Beam. Wash and VL4.
Spot, my decision became a no- brainer. These fixtures are truly fantastic because they are multi- faceted and I love their saturated color.”Both the VL4. Beam. Wash and VL4. Spot luminaires utilize the patented Infinity Color Mixing System to provide incredibly smooth color changes and instantaneous color snaps. The luminaires also feature dual five- position fixed color wheels with variable color correction to further add to their unique color abilities.
He continued, “To me, the Series 4. I’ve seen since the early days of Vari- Lite going back to the VL2. C which I really loved. I also enjoy the split colors that I can get out of them, and that the color blending is smooth and vivid. I’m very happy that I gave these fixtures a chance on the Rush R4. Live tour because they have allowed me to create an unbelievable lighting design.”Without the need to change lenses, the VL4. Beam. Wash combines stunning wash capabilities with intense beam functionality and the ability to produce a powerful collimated shaft of light.
Producing 4. 3,0. Standard mode and 3. Studio mode, the VL4.
Beam. Wash uses a 1. W lamp to provide incredible point- of- source imagery through its 1. When used in Wash mode, the VL4. Beam. Wash provides a 1.
By simply adjusting a DMX value, the luminaire can shift to an intense Beam fixture with an amazing 4 to 4. Shaft fixture for a powerful, collimated ray of light where the 4 degree beam angle can be further reduced to near zero. The luminaire also contains unbelievably smooth dimming flags which when combined with independent shutter blades deliver unmatched dimming and strobing abilities.“I’m using the VL4.
Beam. Wash luminaires in the upstage truss for their high impact going in and out of all three modes throughout the entire show,” added Ungerleider. Its high resolution optics ensure remarkable center- to- edge focusing and an unprecedented contrast ratio while a 5: 1 zoom covers an amazing 9 to 4. Along with mechanical iris, the beam of the VL4. Spot can be further modified via the precise four- blade shutter system, independent prism with divergence control, and the variable frost. The luminaire also features dual rotating gobo wheels and dual animation wheels to provide dynamic motion effects.“With the VL4.
Spots, I have a few of them placed in the upstage truss, but then I also have them on automated pods designed to fly over the stage on 5- foot truss pieces. From these positions, the lights give me a ton of options with a lot of versatility and tremendous power.”To complete his design, Ungerleider chose even more Vari- Lite fixtures with the addition of the wildly popular VL3. Wash FX luminaires and the industry- standard VL3.
Spot luminaires.“I am using the VL3. Wash FX fixtures in the air as key lighting because I love their ability to color correct.
Then I’m using the VL3. Spots on the floor for their gobo projections from behind the amp line to give us a variation of looks with a lot of silhouettes that continue out into the audience.”As one of the most celebrated tours in the illustrious history of Rush, the R4. Live tour had its final North American show at The Forum in Los Angeles. Looking back on the performance of the Series 4.
Ungerleider is quick to recognize that the VL4. Beam. Wash and VL4. Spot luminaires are something quite unique from Philips Vari- Lite.“I think the most attractive attribute of the Series 4. Ungerleider. The crispness of their beams is refreshing and lighting designers should give them a look because it’s a new paradigm for Philips Vari- Lite to release fixtures of this nature. This tour was pretty much an all Vari- Lite rig and these lights exceeded all my expectations.”As a leading designer and manufacturer of premiere automated lighting systems, Philips Vari- Lite provides equipment and services to the entertainment industry, serving such markets as concert touring, theatre, television, film, cruise lines, houses- of- worship, and corporate events. Vari- Lite automated lighting systems are available through a worldwide network of independent professional dealers.
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